![]() ![]() ![]() Then run another cable from the reamp box to a guitar amp. Step 2: Send the clean signal in your DAW through an output on your interface to a reamp box.You can record both the dry signal as well as the amp signal at the same time. Plug the guitar straight into the DI, send the Thru to an amp so the player can have the sound and feel they’re comfortable with, and take the Out to your interface. Step 1: Capture a clean signal signal from the guitar using a DI box (some reamp boxes are 2-in-1 with a DI included).Once you have all the takes you need, you can send the guitarist home! The fun begins when you can take their DI signals and run them through your collection of amps, effects, and mics. Record the performances with a scratch tone the artist is familiar and comfortable with, and get the sound right for the mix later. That means you’ll need to get up and running fast to capture the best takes.īut what if you didn’t get the ton dialed in all the way? That’s where reamping comes in. Usually a musician delivers their best performances early in a session, while they’re still fresh and not fatigued after 10 hours in the studio. First and foremost, you have to put yourself in the guitarist’s shoes. To put it simply, reamping is a process in which you record a clean DI, and then send the clean track through your amps, effects, and mics for re-recording. A reamp box is a specially designed device that allows you to send a clean guitar signal from your DAW to an amplifier, letting you tweak tones on the fly using a pre-recorded signal. I've seen people spend weeks trying to eliminate a ground loop when they could have solved the issue entirely and permanently with an isolation box.Reamping takes place in two stages during both the recording and mixing phases. The more important point is the reamp box isn't providing anything special or magic, but it may save you tons of troubleshooting. The only way to know is to hook it up and see. ![]() ![]() It becomes even more common once one of the cables connects to a computer however. I'm not saying everyone will have noise but it's always been an issue for me in every studio home setup I've ever had (for 30+ years now). The transformer is providing galvanic isolation, not balanced type noise-cancelling. I have several reamp boxes and other related devices. (3) a lift switch in case you do have a ground loopĭIY is certainly an option for anyone with a soldering iron. the live room to the control room to turn the thing down) This is useful if the amp is some distance from your computer (don't have to run back from e.g. (2) a little volume knob to make level setting a bit more convenient. If you don't have a long run, then you're less likely to have a problem. Any difference in sound among boxes is probably down to the quality here. which should help cancel out noise pickup on a long run of (balanced) cable from your interface to the amp. (1) a transformer (obv, the more you spend, the better you'd hope this transformer is, but a $20 transformer is probably overkill.) In a small / home studio, there's often a good enough "commonality" (?) of the protective ground / earth (s) to the various bits of equipment, such that ground loops aren't the problem that they can be in bigger (particularly live) setups. ![]()
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